Sparkling Cyanide (Remembered Death)

First Published: 1945
Setting: London

Starring: Iris Marle, Rosemary Barton, George Barton

Important Other People: Anthony Browne, Lady Alexandra Farraday, Stephen Farraday, Ruth Lessing, Lucilla Drake, Victor Drake

What I like about this book is that the early chapters focus on a single character in relation to Rosemary, who died a year ago. Through the descriptions of the other characters, we get a complete picture of Rosemary, even though she is never really alive throughout the book, only in reminisces. I like how the plot moves back and forth between the past and the present, and each character becomes intricately woven into the plot as we learn more about them. 


I don't really have much more to say about this one, but I will point out that Lady Alexandra and Stephen Farraday are totally the same as Edward and Evelyn Hillingdon from A Caribbean Mystery. And the two women are awesome.


One last thing: does cyanide sparkle? I have no idea.

Interesting facts: Adapted from an earlier short story, "Yellow Iris," which starred Hercule Poirot and was not as good as the longer book. Second in the series of "cold case" books, although not as good as Five Little Pigs.

Favorite? No, but as with Death Comes As the End, I liked this book a lot better the second time I read it.

Death by: cyanide (duh)

Body Count: 2; Cumulative: 99

The Count: Poirot-21, Miss. Marple-3, Tommy and Tuppence-2, Hastings-7, Japp-7, Colonel Race-4, Superintendent Battle-5, George-1, Goby-1, No Recurring Character- 4, Mrs. Oliver-1, Albert- 2

Agatha's Life Lessons: What damned silly things one says when one is in love. A man doesn't want to be continually reminded what an add he's made of himself. Wit, charm, and provocation of manner hold men. Marriage is a form of safety, a protection against love.

Up Next: The Hollow

Death on the Nile

First Published: 1937

Setting: Wadi Halfa, on the Nile

Starring: Hercule Poirot, Colonel Race, Linnet Ridgeway, Jacqueline de Bellefort, Simon Doyle

Important Other People: Mrs. Allerton, Tim Allerton, Rosalie and Mrs. Otterbourne, Cornelia Robson

One of the major themes of the book is the idea of how one can want something so passionately that they lose sight of everything else, including rationality and reason. Once one thing becomes your whole reason for existence, you will do whatever it takes to achieve that end, including opening your heart to evil. Poirot knows this, and so takes steps to avoid evil from occurring. He warns Jackie about the possible consequences of her actions because he knows it's always better to prevent a murder than try to get justice after it has been committed. There are three pieces of advice about forgetting the past and moving on the the future in the book, which should have given Jackie a hint...

I also like how this is another one of Christie's murders that takes place in a confined space (although I don't think any other novel is in quite so confined a space as Cards on the Table). The suspect pool is limited, and there are quite a few people who have huge motives for murder. Still, the ones who are most likely to have committed it have alibis. There is only one day of questioning before the truth is revealed, so Poirot and Race have their work cut out for them trying to clear away all the extraneous mysteries and uncover the real motives and alibis.

The whole book is about money. Linnet has too much of it, Jackie and Simon have not enough of it. Simon gets enough of it, but then struggles to come to terms with it all, especially because the finances are controlled by his wife. The idea of money in this era is different- they talk about how poor Jackie is, but she went on a trip to the Middle East...in what way, exactly, is she poor? Even at that time, I can't imagine a trip to the Middle East being affordable for people from all walks of life. I think Jackie must be like many of Agatha's characters who are from the upper class, but have lost their money in some way and become "impoverished" according to their usual or familial standards (like the Lytton Gores from Three Act Tragedy, the Cloades from There is a Tide, and Lance's wife Pat from A Pocketful of Rye). This is also the first novel (I believe) that Agatha makes a point of yellow symbolizing money. Linnet with her golden hair is the supreme symbol of money, while Jackie with her dark hair, is in stark contrast. Love can be a very frightening thing, and the lengths characters in this book go to for love- of a man, and of money, have drastic results.

One final aspect of this book that I really enjoy is all of the extra mysteries that abound on this one trip up the Nile. It keeps the book moving at a face pace, it keeps it interesting, and it also makes it more difficult for Poirot to figure everything out. He does, of course, find the answer to ALL of the questions in the end, but I like how he brings different characters in one by one to basically explain that he knows the truth to their actions. To me, the extraneous mysteries in this book make it even that much more interesting.

Interesting facts: Japp is mentioned... yet again. I think I should keep a tally of how many times Japp is mentioned, but not actually in the story. The trip the group takes up the Nile is similar to one that Agatha and her husband, Max Mallowan, took in the 1930s. The vegetable code mentioned that is used by the man Colonel Race is looking for is similar to the one used in South Africa in The Man in the Brown Suit, which, coincidentally, Race also appeared in.

Favorite? One of them.

Death by: Shooting, stabbing

Body Count: 5; Cumulative: 53

The Count: Poirot-15, Miss. Marple-1, Tommy and Tuppence-1, Hastings-7, Japp-6, Colonel Race-3, Superintendent Battle-3, George-1, Goby-1, No Recurring Character- 2, Mrs. Oliver-1

Agatha's Life Lessons: To have money and looks is too much for one person- it isn't fair. Nearly everyone only likes successful people. Marriage has a sobering effect on people. Youth is the time of greatest vulnerability. You can't alter the past- you must live with things the way they are. Give up the past, turn to the future. What is done is done...bitterness will not undo it. When the sun comes out you can no longer see the moon. Do not open your heart to evil because evil will come. There is always a moment where one could hold their hand (as in, make a move). To succeed in life, every detail should be arranged well beforehand. When anything beautiful is dead, it's a loss to the world. Love can be a very frightening thing. It's not the past that matters but the future. "Un qui aime et un qui se laisse aimer" can be very dangerous. (Translation, according to google translate, and which I agree on based on my sketchy knowledge of French: One who loves and one who allows them self to love can be very dangerous).

Up Next: Appointment with Death

Cards on the Table

First Published: 1936

Setting: London

Starring: Hercule Poirot, Mrs. Oliver, Battle, Colonel Race (the Sleuths)

Important Other People: Mr. Shaitana. Dr. Roberts, Mrs. Lorrimer, Major Despard, Anne Meredith (The "Murderers")

The plot for Cards on the Table was laid out by Poirot in The ABC Murders. It truly is a crime that Poirot has ordered to test himself. The important aspect is that there are only 4 suspects, and there is no way to figure out who did it except by Poirot using his little grey cells. It is the supreme psychological crime.

We are introduced to Mrs Oliver- the epitome of Agatha herself. One of Mrs. Oliver's books, The Body in the Library, is mentioned by one of the characters, a book that was eventually written by Christie herself. I like Mrs. Oliver a lot and I always enjoy reading about her, and it's mainly because Christie is clearly parodying herself. She describes the clothes Mrs. Oliver wears, her crazy hairstyles and hats, and mocks herself on her "women's intuition" that she uses to "solve" the crimes she comes into contact with. She guesses everyone in turn, which we see as Christie mocking herself for doing the same thing.

One thing that is interesting- one of the characters says that people tend to stick to arsenic for murders, yet Agatha had not written of any murders committed with arsenic up to this point in her writing career (in her novels).

Hercule Poirot has a thoroughly bourgeois attitude towards murder. He doesn't deal with the lower classes and their problems and murders. The one case that sticks out to me as having a lower-class feel is Mrs. McGinty's Dead, being that she's a charwoman, but the other characters involved are upper-class. Murder has become more common nowadays, making it difficult to find a parallel from the early to mid 20th century.

One of my biggest problems with the book is the importance Poirot places on the bridge scores kept by the suspects. Mainly because I don't know how to play bridge, I don't know the rules or terms, and I basically don't understand any part of what's going on with bridge. It's difficult to truly appreciate the importance of the scores, or to even understand what Poirot deduces based off of them, if you don't understand bridge. I feel like more people in 1936 played bridge and understood it. I always feel like it's something I need to learn just to understand this book better. We'll see if that happens...

Interesting facts: Japp is mentioned. This is a crime to order for Poirot's little grey cells. We see Rhoda and Despard many books later in The Pale Horse. Poirot reveals the true solution to the Orient Express to another character, which could ruin the book if you had never read it before.

Favorite? Of Poirot, YES. Of Agatha, I think it's up there because she always wanted to write it for Poirot to solve. For me, after I've read it a few times, I've liked it better. I hated it the first time I read it because I thought it was so unexciting and the bridge part made no sense to me.

Death by: Stabbing, Veronal/evipan, drowning

Body Count: 3; Cumulative: 46

The Count: Poirot-13, Miss. Marple-1, Tommy and Tuppence-1, Hastings-6, Japp-6, Colonel Race-2, Superintendent Battle-3, George-1, Goby-1, No Recurring Character- 2, Mrs. Oliver-1

Agatha's Life Lessons: A murderer can be an artist, but he's still a murderer. Man is an unoriginal animal. What can't be cured must be endured. There's nothing like death for bringing out the meanness of human nature. One ought to live frightfully dangerously- if one gets the chance. Life, on the whole, is terribly tame. Men don't do purely disinterested kindnesses. The moment a man's a bad lot, all the girls stick up for him. Things are just the same whether you talk about them or not. Life is a difficult business- it needs infinite courage and a lot of endurance. Men always do take fancies to unsuitable women. Lying is not always a sign of guilt. No one can always be right (not even Poirot!)

Up Next: Poirot Loses a Client

The Man in the Brown Suit- Day 5

First Published: 1924

Setting: Kilmorden Castle, South Africa, Rhodesia

Starring: Anne Beddingfield, Colonel Race, Harry Rayburn

Important Other People: Sir Eustace, Suzanne, Guy Pagett, the "Colonel"

The first thing I want to point out about Agatha and her career is that she was not just the elderly lady we see on the back of book covers or on her website. Agatha wrote books for over 50 years, and in that time period, she started out young and got older. I always picture her as an elderly woman writing her books, when in reality, she was young when she got started, and so was young when she wrote The Man in the Brown Suit. This explains the spirit of adventure apparent throughout the novel, as well as her identification with Anne and her passion regarding Harry. She was young, and she knew what it was to love passionately and to yearn for adventure.

One of the major themes of this book is the changing idea of womanhood and the new role that women played in the 1920s. Similar to The Secret Adversary, Agatha explores the new idea of women, modeling her heroine after this new ideal. Colonel Race talks about women as "weak things," which Anne explains is due to society's renderings, because in the beginning, they were equal. She explains how the archaeological record shows that women and men used to work together as equals before modernized society designated separate rolls for them. We see how Anne constantly goes against the idea society has for women as she strikes out on her own and continues to follow her heart and her dreams. We also see Suzanne as a direct opposite from her, cemented by her upper-class life and her trip to Africa as a whim. We also get the idea that marriage is a foolish notion that is used to tie women down and keep them in these preconceived roles. Anne fights that by marrying on her own terms and disregarding what is "best" for her.

Anne Beddingfield is Agatha's emulation of herself. She is young, free, and adventurous, and she loves madly. Agatha saw herself in Anne, but Anne has a greater degree of freedom and thus has more adventures than Agatha. Still, out of all of her characters, I really think she felt she was most like Anne. She even observes that "one always gets what one wants." Agatha wanted adventures, and she was able to get them in her life, but also, and most importantly, she was able to get them through her characterization of Anne. She also readily acknowledges that she is oftentimes foolish and childish in her actions and choices. Agatha is very self-reflective in her depiction of Anne, and we are able to see more of her personality in this book, than, I would venture to say, in any other.

Interesting facts: Agatha wrote this story after going on a world tour with her husband and their friend- who happened to be the inspiration for Sir Eustace (see the dedication!)

Favorite? One of them because I do love Anne, even though her relationship with Harry is a little too intense for my liking...

Death by: Strangulation (Nadina). I will not count the man falling under the train, since it was technically an accident.

Body Count: 1; Cumulative: 4

The Count: Poirot-2, Miss. Marple-0, Tommy and Tuppence-1, Hastings-2, Japp-1, Colonel Race-1

Agatha's Life Lessons: (So many in this book!) "Men will not be nice to you if you are not good-looking, and women will not be nice to you if you are." "It is good for one now and again to realize what an idiot one can be." The world is full of starving cats. A true lady is neither shocked nor surprised at anything that might happen. "Nothing a woman enjoys so much as doing all the things she doesn't like for the sake of someone she does like." Don't let your sense of humor carry you away. Rats always leave a sinking ship. And most importantly... Don't settle when you marry.

Up Next: The Secret of Chimneys